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'Please, can I come in? I have an idea,' ' Bertosa remembers Israel saying.Д«ertosa relented and gave Israel 15 minutes to get there. 'And he's this really sweet man, well-mannered, kind. But the client insisted on putting Israel on the phone. Bertosa said he was shutting down, call tomorrow. The client rattled off Israel's unpronounceable name and said he wanted to come in and record a demo. It was a client of mine,' Bertosa remembers. Milan Bertosa was at the end of a long day in his Honolulu recording studio. The 1988 Recording Session That Made Him A Legend Israel was over 6 feet tall with flowing black hair. Both he and Skippy weighed hundreds of pounds - the girth of sumo wrestlers.

Israel was the group's standout - for his voice and also his size. In music, that meant getting away from kitschy hula tunes for tourists, like 'My Little Grass Shack.' Israel's group was among those who embraced traditional melodies. In the 1970s, young Hawaiians were rediscovering their language and culture. They called themselves the Makaha Sons of Ni'ihau. Israel was still a teenager when he and his brother formed a band with three other local guys. And that thing just cut right through the air, stopped everybody in their tracks.' Every great singer has something special. What happened was, as soon as Israel Kamakawiwo'ole opened his mouth and sang, that whole place went quiet. In fact, one of the ukuleles was held together with bubble gum. 'They set up with instruments that were kind of beat up. They were teenagers and Israel showed up with his older brother Skippy at a graduation party.

But it's that that makes him special, because his mana always came out.'Д«eazley remembers the first time he heard Israel sing. And when we open our mouth to speak, to sing or to play, that's what we let out.

We believe we get ours from the elements first, the Earth, your sky, your ocean, your God, and all that is inside of us. 'In Hawaii, we talk about this thing we call mana,' says musician Del Beazley, who grew up with Israel and wrote two of his songs. That's quite remarkable for a rendition with one voice, accompanied only by ukulele. It's become so popular, it is now the most requested version of the song by far, according to music publishing house EMI.

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His version of 'Over the Rainbow' has the poignancy of Judy Garland's and the shimmering vulnerability, but these days it's heard so often on TV and in the movies, a younger generation may only know Israel's version.